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Imagine an orchestra, a small combo or a single musician
playing in front of you. A variety of tones and its harmonics is produced, not to mention the dynamics: from the hissing of
a barely touched string to the full sound of a blasting orchestra.
All these nuances must be reproduced in your home,
in the right tonal balance, by a relatively small enclosure: the loudspeaker.
A real challenge to the engineer
dedicated to music. Computer-aided design and knowledge of materials are very useful tools for the designer to melt all
relevant parameters together, but attending concerts, tweaking and another extensive listening-session are even more
important for the finishing touch to the product.
| MASTER THREE |
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Master Three
This compact loudspeaker that offers audiophile-quality
performance.
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| MASTER AUDITION |
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Master Audition
By using our most refined design technologies,
developed for reference-standard speakers such as the Audition, we've been able to hone the speaker down to its purest essentials.
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| MASTER CONTEMPORARY C |
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Master Contemporary C
The Contemporary C one of "Masters" flagship range. Regarded by many
as the world’s finest loudspeaker series, every model features ceramic tweeters. | |
| MASTER PERSUADER |
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Master Persuader
By using our most refined design technologies,
developed for reference-standard speakers such as the Persuader, we've been able to hone the speaker down to its purest essentials.
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| MASTER SLAM |
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Master Slam
By using our most refined design technologies,
developed for reference-standard speakers such as the Slam, we've been able to hone the speaker down to its purest essentials.
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| MASTER PERCEPTION |
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Master Perception
By using our most refined design technologies,
developed for reference-standard speakers such as the Perception, we've been able to hone the speaker down to its purest essentials.
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| MASTER SEN |
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Master SEN
By using our most refined design technologies,
developed for reference-standard speakers such as the SEN, we've been able to hone the speaker down to its purest essentials.
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